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Orquesta Típica Ricardo Tanturi

El Caballero del Tango

Ricardo Tanturi

*27.01.1905 +24.01.1973

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La vida es corta - 1941 - Alberto Castillo

Number of recordings

about 150

To buy

www.tangotunes.com offers everything in great GOLDEN EAR quality. Christian Tobler even took the trouble to digitise the recordings with Enrique Campos in a second pass with even more sensitivity.

 

Style

rhythmic, simple, syncopated, brilliant singers

Typical

delayed last chord

Greatest hit

Así se baila el tango

Important singers:

- Alberto Castillo (1940 - 1943)

- Enrique Campos (1943 - 1946)

Important musicians:

- Piano: Armando Posado

 

Introduction



The special nature of the tanturi sound only becomes apparent on closer listening: The arrangements usually shine less through obvious virtuosity than through great variation and precision in small rhythmic details, in playing with syncopation. All this is very inspiring for dancers. And so the tangos, valses and milongas of El Caballero del Tango regularly end up in the playlists of traditional DJs. And then there are these two unique singers with their outstanding phrasing:  Alberto Castillo and Enrique Campos.

The early years



Ricardo Tanturi was born on 27 January 1905 to musical parents of Italian descent in the Barrio de Barracas, a very poor but also very lively neighbourhood of Buenos Aires at the time.

He initially learned the violin. Then his older brother, who already led a small orchestra himself, persuaded him to switch to the piano. Tanturi, who was later nicknamed El Caballero del Tango because of his gentlemanly manner, studied dentistry from 1924, but also continued to pursue his musical ambitions and performed together with his brother in cafés and even in the radio studios that were just starting up. At university, he founded a jazz band with fellow students, in which some of the musicians from his later Orquesta Típica played. Finally, in 1933, he formed a sextet with the nickname Los Indios, a tribute to a polo team, as he loved this sport.

It is therefore not surprising that Tanturi began every concert with the tango Los Indios, even though he never recorded this composition by Francisco Canaro himself.

First successes



The new orchestra made its debut in early 1934 at the prestigious Alvear Palace Hotel. The performances in the elegant garden salon, which was located on the roof of the hotel, were broadcast throughout the country by Radio Excelsior.

Playing alongside Tanturi was an old, lifelong friend, Raúl Sánchez Reynoso, with his jazz orchestra Santa Paula Serenaders, which was famous beyond Argentina's borders. This was followed in 1936 by a contract in Montevideo at the magnificent, neoclassical Hotel Carrasco. Tanturi was now able to expand his sextet into an eight-piece Orquesta Típica.

After returning to Buenos Aires in 1937, he usually spent the summer season on the other side of the Rio de la Plata - similar to Juan D'Arienzo's orchestra - and played in the elegant dance halls or on the magical terrace of this noble hotel, in whose honour Tanturi composed the march called Carrasco, which he pressed on shellac for the Odeon label in 1938 as the only non-tango recording.
Fun fact: In addition to many royal and other celebrities, the tango jack-of-all-trades and Piazzolla partner Horacio Ferrer has lived in the then somewhat run-down Alvear for decades since 1976.

 

The medical student becomes a professional musician



In 1939 Tanturi focussed entirely on organising the orchestra. He gave up his career as a doctor and also handed over the piano to Armando Posado, who, with his strong hands, provided the necessary foundation for the robust yet varied rhythm of the orchestra with his solid yet virtuoso playing from then until 1966.

Tanturi began his recording career in the summer of 1937 with the Argentinian label Odeon - and suffered the same fate as Troilo and Laurenz: Odeon signed Tanturi in order to distinguish itself from its competitor Victor. However, only one shellac was made in 1937 and 1938, although the orchestra was already quite popular and known throughout the country thanks to its close ties with Radio El Mundo.

These early recordings have conventional rhythmic arrangements. What is striking here, however, is the contrast between the bright and cheerful melodic passages and the very jagged rhythmic sections.

 

Tanturi's first singer, the lawyer Carlos Ortega, left the band in 1939 before the big breakthrough and became a diplomat in various consulates.

And in 1940, Tanturi managed to free himself from the recording impasse at Odeon and switched to the Victor record label. The real breakthrough finally came at the end of 1940, when Tanturi hired as a singer a certain Alberto de Luca, also a doctor. Pablo Osvaldo Valle, the boss of Radio El Mundo, gave the young man his stage name, with which he made tango history: Alberto Castillo.

 

Alberto Castillo
El cantor de los cien barrios porteños



Alberto Castillo was an extraordinary personality with a stunning stage presence. He quickly became an idol, especially among female audiences. Castillo turned every performance into a little drama, a little opera. He lived the tangos intensely, was sometimes intimate and confidential, the next moment cheeky, gave his voice a rough touch or provoked with gestures and poses. He switched between all possible emotional states at lightning speed, mastered the grotesque, the expressive as well as the soft and emotional and was able to articulate mountains of syllables in the shortest possible time. His rapid-fire Vals Violetas is legendary. During his performances, he took possession of the stage from the very first moment by adjusting his handkerchief, loosening his tie, unbuttoning his shirt collar, grabbing the microphone and tilting it to one side or the other. He did not shy away from provocation either: The evening in 1942 remains famous when Castillo, in a hall full of niños bien, young men from good families, began to mock them, calling them snobs and singing in their faces with his super hit Asì se baila el tango that their tango was not the real thing.

From gynaecologist to singing idol



Little Alberto was born in Buenos Aires in 1914. He was a music enthusiast from an early age. He began his medical studies already as a teenager. At the age of 20, while still a student, he started his professional singing career under the stage name Alberto Duval, accompanied by guitars and small orchestras. However, it was only as the voice of Tanturi in 1940 that his career really took off. After completing his studies, he started working as a gynaecologist so that he could marry his bride, whose father did not consider singing to be a serious enough profession. However, after his dazzling stage presence won him veritable crowds of fans, especially among the female porteñas, so that clusters of fans formed not only in front of the stage but also in front of his practice, he devoted himself entirely to his career as a professional singer and ended his medical career. Castillo remained with Tanturi until 1943, making a total of 37 recordings. He then decided to become the first of the great singing stars of the 1940s to embark on a successful solo career. One of his most popular hits was the vals Los cien Barrios porteños, so much so that presenters regularly announced him as El Cantor de los cien Barrios porteños.

King of Candombe



After Castillo became the candombe king of Buenos Aires in the 1950s with his biggest hit Sige el baile, among others, he expanded his show by taking a group of traditional candombe dancers on stage with him, who drove his candombe show in African-inspired costumes with powerful drumming. Over the next few decades, we find Castillo repeatedly touring with his orchestras, acting in a dozen films or in the recording studio. He only ended his career in 2001 and died on 23 July 2002 at the age of 87.
Año nuevo
Filmclip
Siga el baile - 1954
from the movie Amor y Picardia

Enrique Campos
A new voice, a new style



After Castillo's departure, to the astonishment of many, Tanturi choose the tenor Enrique Campos (1913-1970). In contrast to all the other candidates who had tried to imitate Castillo, the Uruguayan was immediately convincing with his soft, melancholy style. Campos is not a shrill, provocative singer like Castillo. He doesn't show off with his clear tenor, but floats elegantly over and between the bars with nonchalance. What's more, he was ultimately better suited to the times: almost all orchestras had adopted a calmer, softer, more complex style by 1942 at the latest. By 1946, 52 recordings had been made, two in duet with his successor Roberto Videla.

Born in Uruguay in 1913, the natural musical talent grew up in a Catholic orphanage in Montevideo and made a reasonably successful living as a singer. At the end of 1942, the almost thirty-year-old left his home country to give his career new impetus in Buenos Aires and found the perfect environment in the Tanturi orchestra. Campos got his stage name when Tanturi opened the telephone directory and chose a random name.

In the 1950s, we find Campos above all in Francisco Rotundo's orchestra. The biggest hit still played today is El viejo vals, a lyrical gem sung as a duet with Floreal Ruiz.

Tanturis music



While Tanturi's valses and milongas sound similar overall, the tangos can be divided into three phases:
- jagged, playful instrumentals
- rhythmically characterised, rather simpler vocal tangos, but more varied due to Castillo's singing (1941 and 1942)
- romantic pearls with a lot of rubato with Enrique Campos (1943-1946).

What they all have in common is the typical Tanturi ending: Pianist Posada always plays the last note of the final chord with an unusually long delay.

Instrumentals



Tanturi's tangos, and this applies even more to his instrumental pieces, are quite playful on a small scale, within the bar or within short phrases, but overall without any great surprises: There are hardly any tempo changes and few variations in dynamics. Together with the piano, the bandoneon series plays a clear marcato, rich in variation but still very reliable, almost stomping in the early years, becoming increasingly delicate after 1941.

Master of the synkopation

Very often, bars alternate in marcato en cuatro, meaning that each beat is emphasised rather monotonously in groups of four, with bars characterised by a chain of rhythmically striking syncopated stress patterns.

Marcato en cuatro:
1 u 2 u 3 u 4 = regular emphasis on the even beats
Syncope of Tanturi:
1 u 2 u 3 u 4 = unusual emphasis on 1u and 2u, while 2 and 4 are not emphasised.

The tanturi sound is characterised by different but recurring syncopation chain patterns.

This is accompanied by sections dominated by fast semiquavers and calm transitions that leave room for small piano fills. This is actually nothing special; other orchestras such as Troilo, Calo or Demare use similar ingredients. But because Tanturi often has his musicians intonate these rhythmic patterns very powerfully and in unison, and as he uses other musical ingredients very sparingly, especially in the early recordings, the syncopations are particularly striking and stand out. Early, simple instrumentals such as Tierrita (1937), Gallo Ciego (1938) or Argañaraz (1940), but also the more syncopated Adiós pueblo or Comparsa Criolla (1941) have a high tempo and a strong, rather pounding marcato, which contrasts with the radiant melodic passages, and sound quite cheerful due to their major keys.
Argañaraz - 1940
Tymoteusz Ley & Dilara Ogretmen - Koszalin/Polen 2022
Comparsa Criolla - 1941
Tzu-Han Kyoko - Tokyo 2021
Una Noche De Garufa - 1941 - Instrumental
Noelia Hurtado y Carlitos Espinoza - Brüssel 2016
El buey solo
Jonathan Saavedra y Clarisa Aragon - Bratislava 2017

Tangos with singer Alberto Castillo



These arrangements are based on bars with powerful marcato played on the four full notes, alternating with bars filled with chains of syncopations with surprising accents. In between, the orchestra often pauses briefly to create space for small piano solos. When Castillo's vocals begin, the marcato takes a back seat while countermelodies from the bandoneon or violin accompany the singing. Castillo often lets himself fall back a little, like a bandoneon he seems to catch his breath, delays, then expands again, accelerates to catch up with the orchestra again. Popular tangos from this phase include Pocas Palabras, the famous Esta noche me emborracho, Madamme Ivonne or his big hit Así se baila el tango (all 1942), while tangos such as A otra cosa, Que bebeta or Bailongo de los domingos (1943) with their slower tempo, airier arrangements and Castillo's now more restrained and musical phrasing already point to the musical high point of Tanturi's work with the singer Enrique Campos.
La vida es corta - 1941 - Alberto Castillo
María Inés Bogado & Julio Saavedra - Cracow 2021
Muñeca Brava - Jahr - Alberto Castillo
Mariela Sametband y Guille el peque Barrionuevo - Creta 2018
Pocas palabras - 1942 - Alberto Castillo
Maxi Copello & Raquel Makow - San José/USA 2021

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Mi piba - 1943 - Alberto Castillo
Noelia Hurtado and Carlitos Espinoza - Karlsruhe 2016
Asi se baila el tango - 1942
In 80 Tangos um die Welt - TANGOMUNDO - Berlin
Asi se baile el tango - 1942 - Filmausschnitt

Tangos mit Enrique Campos



The cheerful shining character and the mostly clear beat remain constant. But the sometimes somewhat coarse nature of the early years is now giving way to airier, more lyrical, more varied arrangements, harmonically flavoured with countermelodies and syncopated chains, which now - sensitively adapted to Campos' vocals - often develop longer arcs of tension. Campos himself allows his perfectly trained, soft, intimate, carrying tenor to dance over them in an airy, playful manner, working rhythmically with Rubatos and generally phrasing freely with casual ease.

Récien shines with Posado's virtuoso piano playing and the delicate rise and fall of the orchestral accompaniment and vocals; Oígo tu voz begins with a particularly beautiful violin solo. In De seis a siete, the accompaniment lives from the typical syncopated chains, while En el salon is a fine example of the question-and-answer game between piano and orchestral tutti.
Recién - 1943 - Enrique Campos
Iara Duarte & Jesus Paez - Karkov/UA 2018
Oigo Tu Voz - 1943 - Enrique Campos
Gustavo Naveira & Ariadna Naveira - Istanbul 2023

En el salon - 1943 - Enrique Campos
Carlitos Espinoza & Majo Martirena - Beirut 2020
De Seis a Siete - 1945 - Enrique Campos
Fausto Carpino y Stephanie Fesneau - Cesena 2022

Valses



Tanturi's more conventional valses in a medium tempo are characterised by their perfect danceability. Examples with Castillo are Recuerdo, Mi romance or Marisabel (all 1941) or - softer and more emotional - Me besó y se fue and Mi vieja ventana (both 1945) with Campos, the latter in a duet with Roberto Videla. 
Recuerdo - 1941 - Alberto Castillo
Manuela Rossi & Juan Malizia - Seoul 2023
Mi romance - 1941 - Alberto Castillo
Fatima Vitale and Mario De Camillis - Berlin 2019
La Serenata - 1941 - Alberto Castillo
Olga Nikola & Dmitriy Kuznetsov - Kiew 2021
Me besó y se fué - 1945 - Enrique Campos
SEBASTIAN BOLIVAR Y. CYNTHIA PALACIOS - Turin 2023
Tu vieja Ventana - 1946 - Campos/Videla
Lucas Carrizo & Paula Tejeda - Thessaloniki 2024

Milongas



With a tempo of around 110 bpm, Tanturi's successful, but at the same time less delicate milongas Mi morocha, Asi es la milonga and the even more energetic Mozo guapo, which is not only very popular among show couples, are among the faster ones of the genre.
Mozo Guapo - 1941 - Alberto Castillo
Carlitos Espinoza y Noelia Hurtado - San Mateo/USA 2016
Asi es la milonga - 1942 - Alberto Castillo
Edwin Olarte y Vittoria Franchina - 2019 Alessandria
Mi morocha - 1941 - Alberto Castillo
DANIELA BARRIA & JULIAN VILARDO - Salon Canning/BA 2018

Discografie



Source: www.el-recodo.com Many thanks to this astonishing website located in Bordeaux!!



Title

Genre

Singer

Date of recording

Music

Lyrics

A la luz del candil

TANGO

Carlos Ortega

1937-06-23

Carlos Vicente Geroni Flores

Julio Navarrine

Tierrita

TANGO

Agustín Bardi

1937-06-23

Jesús Fernández Blanco

 

Carrasco

MARCHA

Carlos Ortega

1938-06-09

Ricardo Tanturi

Carlos Ortega

Gallo ciego

TANGO

Agustin Bardi

1938-06-09

 

 

Argañaraz (Aquellas farras)

TANGO

Roberto Firpo

1940-11-18

Enrique Cadícamo

 

La cumparsita

TANGO

Gerardo Matos Rodriguez

1940-11-18

Gerardo Matos Rodriguez

 

El buey solo

TANGO

Agustín Bardi

1941-01-08

 

 

Recuerdo (2)

VALS

Alberto Castillo

1941-01-08

Alfredo Pelaia

Alfredo Pelaia

La vida es corta

TANGO

Alberto Castillo

1941-02-19

Ricardo Tanturi

Francisco Gorrindo

Mozo guapo

MILONGA

Alberto Castillo

1941-02-19

Ricardo Tanturi

Eusebio López

La serenata (Mi amor)

VALS

Alberto Castillo

1941-05-06

Vicente Salerno

Samuel Aguayo

Una noche de garufa

TANGO

Eduardo Arolas

1941-05-06

Gabriel Clausi

 

Comparsa criolla (Comme il faut)

TANGO

Rafael Iriarte

1941-06-16

 

 

Pocas palabras

TANGO

Alberto Castillo

1941-06-16

Ricardo Tanturi

Enrique Cadícamo

Lágrimas

TANGO

 

1941-07-07

Eduardo Arolas

 

Mi romance

VALS

Alberto Castillo

1941-07-07

José Raúl Iglesias

Juan Bautista Gatti

Adiós pueblo

TANGO

Agustín Bardi

1941-08-14

José De Grandis

 

Noches de Colón (El alma de la calle)

TANGO

Alberto Castillo

1941-08-14

Raúl de los Hoyos

Roberto Cayol

Didí

TANGO

Roberto Firpo

1941-09-18

 

 

Mi morocha

MILONGA

Alberto Castillo

1941-09-18

Emilio Querejeta

Enrique Dizeo

El moro

TANGO

Alberto Castillo

1941-11-27

Carlos Gardel y José Razzano

Juan María Gutiérrez

La huella

TANGO

 

1941-11-27

Manuel Aníbal Villanueva

 

Ese sos vos

TANGO

Alberto Castillo

1941-12-23

Ricardo Tanturi

Francisco García Jiménez

Recuerdo malevo

TANGO

Alberto Castillo

1941-12-23

Carlos Gardel

Alfredo Le Pera

Al compás de un tango

TANGO

Alberto Castillo

1942-03-18

Alberto Suárez Villanueva

Oscar Rubens

Madame Ivonne

TANGO

Alberto Castillo

1942-03-18

Eduardo Pereyra

Enrique Cadícamo

Así es la milonga

MILONGA

Alberto Castillo

1942-05-27

Oscar Rubens

Oscar Rubens

Decile que vuelva

TANGO

Alberto Castillo

1942-05-27

Miguel Bucino

Miguel Bucino

La copa del olvido

TANGO

Alberto Castillo

1942-07-20

Enrique Delfino

Alberto Vacarezza

Tango

TANGO

Alberto Castillo

1942-07-20

Sebastián Piana

Homero Manzi

El Tango es el Tango

TANGO

Alberto Castillo

1942-08-14

José Raúl Iglesias

Juan Bautista Gatti

Esta noche me emborracho

TANGO

Alberto Castillo

1942-08-14

Enrique Santos Discepolo

Enrique Santos Discepolo

Cómo se pianta la vida

TANGO

Alberto Castillo

1942-09-15

Carlos Viván

Carlos Viván

Marisabel

VALS

Alberto Castillo

1942-09-15

Carlos Vicente Geroni Flores

Claudio Frollo

Muñeca brava

TANGO

Alberto Castillo

1942-09-22

Luis Visca

Enrique Cadícamo

Un crimen

TANGO

Alberto Castillo

1942-09-22

Luis Rubistein

Luis Rubistein

Cuatro compases

TANGO

Alberto Castillo

1942-11-04

Atilio Bruni

Oscar Rubens

Recuerdo

TANGO

 

1942-11-04

Osvaldo Pugliese

Eduardo Moreno

Así se baila el tango

TANGO

Alberto Castillo

1942-12-04

Elías Randal

Marvil

Canción de rango (Pa' que se callen)

TANGO

Alberto Castillo

1942-12-04

Raúl Kaplún

José María Suñé

Me llaman El Zorro

TANGO

Alberto Castillo

1942-12-04

Mario Perini

Roberto Lambertucci

Moneda de cobre

TANGO

Alberto Castillo

1942-12-04

Carlos Viván

Horacio Sanguinetti

A otra cosa che pebeta

TANGO

Alberto Castillo

1943-03-02

Ricardo Tanturi

Enrique Cadícamo

Con los amigos (A mi madre)

VALS

Alberto Castillo

1943-03-02

Carlos Gardel y José Razzano

Sebastián Alfredo Robles

Entre sueños

 

TANGO

1943-03-02

Anselmo Aieta y Juan Polito

Francisco García Jiménez

Que podran decir

TANGO

Alberto Castillo

1943-03-02

Vicente Salerno

Alfredo Bigeschi

Mi piba (Mi piba linda)

TANGO

Alberto Castillo

1943-03-16

Rodolfo Sciammarella

Manuel Romero

Ya sale el tren

TANGO

Alberto Castillo

1943-03-16

Luis Rubistein

Luis Rubistein

La última copa

TANGO

Alberto Castillo

1943-04-29

Francisco Canaro

Juan Andrés Caruso

Que me quiten lo bailao

TANGO

Alberto Castillo

1943-04-29

Miguel Bucino

Miguel Bucino

Bailongo de los domingos

TANGO

Alberto Castillo

1943-05-07

Oscar Arona

Francisco García Jiménez

Barajando recuerdos

TANGO

Alberto Castillo

1943-05-07

Luis Visca

Enrique Cadícamo

Al pasar

VALS

Enrique Campos

1943-08-06

José Raúl Iglesias

Juan Bautista Gatti

Muchachos comienza la ronda

TANGO

Enrique Campos

1943-08-06

Luis Porcell

Leopoldo Díaz Vélez

Por eso canto yo

TANGO

Enrique Campos

1943-08-06

Juan Puey

Reinaldo Yiso

Vieja esquina

TANGO

Enrique Campos

1943-08-06

Mario Perini

Roberto Lambertucci

Asi se canta

TANGO

Enrique Campos

1943-08-19

Elías Randal

Marvil

Palomita mia

TANGO

Enrique Campos

1943-08-19

Carlos Viván

Horacio Sanguinetti

Dos palabras por favor

TANGO

Enrique Campos

1943-10-05

Luis Visca

Luis Rubistein

Qué bien te queda (Cómo has cambiado)

TANGO

Enrique Campos

1943-10-05

Vicente Salerno

Juan Mazaroni

Malvón

TANGO

Enrique Campos

1943-11-17

Oscar Arona

Francisco García Jiménez

Oigo tu voz

TANGO

Enrique Campos

1943-11-17

Mario Canaro

Francisco García Jiménez

Que nunca me falte

TANGO

Enrique Campos

1943-11-17

Héctor Morales

Héctor Marcó

Una emoción

TANGO

Enrique Campos

1943-11-17

Raúl Kaplún

José María Suñé

Qué vas buscando muñeca

TANGO

Enrique Campos

1943-12-16

José Basso y Julián Ortiz

José Barreiros Bazán

Sollozo de bandoneón

TANGO

Enrique Campos

1943-12-16

Ricardo Tanturi

Enrique Cadícamo

Quién canta mejor que yo

MILONGA

Enrique Campos

1944-01-21

Ricardo Tanturi

Enrique Dizeo

Rey del tango

TANGO

Enrique Campos

1944-01-21

Mario Perini y Enrique Campos

Roberto Lambertucci

Recién

TANGO

Enrique Campos

1944-03-24

Osvaldo Pugliese

Homero Manzi

Y siempre igual

TANGO

Enrique Campos

1944-03-24

Arturo Gallucci

Luis Caruso

Desde lejos

TANGO

Enrique Campos

1944-04-27

José Raúl Iglesias

Juan Bautista Gatti

Jirón de suburbio

TANGO

Enrique Campos

1944-04-27

Víctor Braña

Enrique Gaudino

La abandoné y no sabía

TANGO

Enrique Campos

1944-04-27

José Canet

José Canet

Y como le iba contando

TANGO

Enrique Campos

1944-04-27

Arturo Gallucci

Enrique Dizeo

Añoranzas

VALS

Enrique Campos

1944-05-18

José María Aguilar

José María Aguilar

Calla bandoneón

TANGO

Enrique Campos

1944-05-18

Carlos Lázzari

Oscar Rubens

Si se salva el pibe

TANGO

Enrique Campos

1944-07-27

Francisco Pracánico

Celedonio Flores

Sombrerito

TANGO

Enrique Campos

1944-07-27

Norberto Guzmán

Roberto Lambertucci

Desde el alma

Rosita Melo

VALS

1944-08-28

Homero Manzi y Víctor Piuma Vélez

 

Domingo a la noche

TANGO

Enrique Campos

1944-08-28

Juan José Guichandut

Oscar Rubens

El corazón me decía

TANGO

Enrique Campos

1944-09-29

Vicente Salerno

Roberto Lambertucci

Encuentro

TANGO

Enrique Campos

1944-09-29

Miguel Bucino

Miguel Bucino

En el salón

TANGO

Enrique Campos

1944-11-14

Cristóbal Herreros

Leopoldo Díaz Vélez

Prisionero

TANGO

Enrique Campos

1944-11-14

Anselmo Aieta

Francisco García Jiménez

Igual que un bandoneón

TANGO

Enrique Campos

1944-12-13

José Raúl Iglesias

Juan Bautista Gatti

Raza Criolla (El Taita)

 

 

1944-12-13

TANGO

Salvador Grupillo

De seis a siete

TANGO

Enrique Campos

1945-01-22

José Canet

José Canet

Esta noche al pasar

TANGO

Enrique Campos

1945-01-22

Héctor Grané

Justo Ricardo Thompson

Me besó y se fue

VALS

Enrique Campos

1945-02-19

José Canet

José Canet

Qué será de ti

TANGO

Enrique Campos

1945-02-19

Roberto Nievas Blanco

Julio Jorge Nelson

Igual que una sombra

TANGO

Enrique Campos

1945-04-12

Osvaldo Pugliese

Enrique Cadícamo

La uruguayita Lucía

TANGO

Enrique Campos

1945-04-12

Eduardo Pereyra

Daniel López Barreto

Discos de Gardel

TANGO

Enrique Campos

1945-05-03

Eduardo Del Piano

Horacio Sanguinetti

Giuseppe el zapatero

TANGO

Enrique Campos

1945-05-03

Guillermo Del Ciancio

Guillermo Del Ciancio

Anselmo Laguna

TANGO

Enrique Campos

1945-06-14

Vicente Salerno

Marvil

El sueño del pibe

TANGO

Enrique Campos

1945-06-14

Juan Puey

Reinaldo Yiso

Bien criolla y bien porteña

MILONGA

Enrique Campos

1945-07-13

Armando Pontier

Homero Expósito

Cantor de barrio

TANGO

Enrique Campos

1945-07-13

Felipe Mitre Navas

Carlos Cacciari

Cuatro recuerdos

TANGO

Enrique Campos

1945-09-05

José Raúl Iglesias

Juan Bautista Gatti

Ivón

TANGO

Enrique Campos

1945-09-05

Luis Visca

Horacio Sanguinetti

Cuatro lágrimas

TANGO

Enrique Campos

1945-10-23

Lito Bayardo

Lito Bayardo

Tu vieja ventana

VALS

Enrique Campos y Roberto Videla

1945-10-26

Guillermo Barbieri

Ambrosio Río

Calor de hogar

TANGO

Enrique Campos

1945-11-09

Eugenio Carrere

Jesús Fernández Blanco

Tu llamado

TANGO

Roberto Videla

1945-11-09

Enrique Cadícamo

Enrique Cadícamo

Corazoncito (Ñafa)

TANGO

Roberto Videla

1945-12-05

Rafael Rossi

José Rial

Este es tu tango

TANGO

Roberto Videla

1945-12-05

Enrique Mora

Reinaldo Yiso

Seis días

TANGO

Enrique Campos

1946-01-03

Manuel Sucher

Carlos Bahr

Soy muchacho de arrabal

TANGO

Enrique Campos

1946-01-03

Enrique Campos

Roberto Lambertucci

Barrio viejo

TANGO

Enrique Campos y Roberto Videla

1946-01-30

Guillermo Barbieri

Eugenio Cárdenas

Llevame carretero

TANGO

Roberto Videla

1946-01-30

Manuel Parada

José Cicarelli

Así era ella muchachos

TANGO

Roberto Videla

1946-03-13

Ángel Di Rosa

José Cabodevilla

Esta noche hay una fiesta

TANGO

Enrique Campos

1946-03-13

Vicente Salerno

Marvil

Como aquella muñeca

TANGO

Roberto Videla

1946-04-03

Juan Puey

Reinaldo Yiso

Tiene razón amigazo

TANGO

Roberto Videla

1946-04-23

Alfredo Calabró

Enrique Dizeo

Espera de esquina

TANGO

Roberto Videla

1946-05-16

Emilio Querejeta

Carlos Cacciari

Viejo ciego

TANGO

Roberto Videla

1946-05-16

Sebastián Piana y Cátulo Castillo

Homero Manzi

Alma en pena

TANGO

Roberto Videla

1946-07-05

Anselmo Aieta

Francisco García Jiménez

Viviane de París

TANGO

Roberto Videla

1946-07-05

Carlos Viván

Horacio Sanguinetti

La mesa de un café

TANGO

Roberto Videla

1946-07-23

Raúl Kaplún

José María Suñé

No me escribas

TANGO

Roberto Videla

1946-07-23

Agustín Bardi

Juan Andrés Caruso

Amores de estudiante

VALS

Roberto Videla y Osvaldo Ribo

1946-08-16

Carlos Gardel

Alfredo Le Pera y Mario Battistella

Sombras

TANGO

Osvaldo Ribo

1946-08-27

Francisco Pracánico

Verminio Servetto

Una lágrima

TANGO

Osvaldo Ribo

1946-08-27

Nicolás Verona

Eugenio Cárdenas

Noche de tango

TANGO

Roberto Videla

1946-09-05

Nicolás Vaccaro

Horacio Sanguinetti

De todo te olvidas (Cabeza de novia)

TANGO

Osvaldo Ribo

1946-11-15

Salvador Merico

Enrique Cadícamo

En la copa de la vida

TANGO

Roberto Videla

1946-11-15

Roberto Videla

Reinaldo Yiso

Ana Lucia

TANGO

Osvaldo Ribo

1946-11-29

?

?

Tus besos fueron mios

TANGO

Roberto Videla

1946-11-29

Anselmo Aieta

Francisco García Jiménez

Tu olvido

VALS

Roberto Videla y Osvaldo Ribo

1946-12-19

Vicente Spina

Vicente Spina

Yo sé lo que te digo

TANGO

Roberto Videla

1946-12-19

Vicente Salerno

Ángel Gatti

Mariposita

TANGO

 

1947-03-28

Anselmo Aieta

Francisco García Jiménez

Me da pena confesarlo

TANGO

Roberto Videla

1947-03-28

Carlos Gardel

Alfredo Le Pera y Mario Battistella

Alma de bohemio

TANGO

Osvaldo Ribo

1947-04-02

Roberto Firpo

Juan Andrés Caruso

Amiga

TANGO

Roberto Videla

1947-04-02

Carlos Viván

Horacio Sanguinetti

Callejero

TANGO

Roberto Videla

1947-05-09

Arturo Gallucci

Francisco Bohigas

Remembranza (Remembranzas)

TANGO

Osvaldo Ribo

1947-05-09

Mario Melfi

Mario Battistella

San José de Flores

TANGO

Roberto Videla

1947-05-09

Armando Acquarone

Enrique Gaudino

Vagabundo

TANGO

Osvaldo Ribo

1947-05-09

Agustín Magaldi y Pedro Noda

Emilio Magaldi

Aquel muchacho triste

TANGO

Roberto Videla

1947-10-31

José De Grandis

José De Grandis

Quejas del alma

VALS

Osvaldo Ribo

1947-10-31

Domingo Julio Vivas

Juan Mazaroni

Bolero

TANGO

Roberto Videla

1948-01-26

Santos Lipesker

Reinaldo Yiso

Papel picado

TANGO

Osvaldo Ribo

1948-01-26

Cátulo Castillo

José González Castillo

Campeonato

TANGO

Roberto Videla

1948-06-25

Ricardo Tanturi

Reinaldo Yiso

Dos que se aman

VALS

Roberto Videla y Osvaldo Ribo

1948-06-25

Antonio Tormo

Manuel María Flores

Cuando llora la milonga

TANGO

Osvaldo Ribo

1950-08-16

Juan de Dios Filiberto

María Luisa Carnelli

Milonguita (Esthercita)

TANGO

Horacio Roca

1950-08-16

Enrique Delfino

Samuel Linnig

Besos brujos

TANGO

Elsa Rivas

1956-10-22

Alfredo Malerba y Rodolfo Sciammarella

Alfredo Malerba y Rodolfo Sciammarella

Decís que no te quiero

TANGO

Juan Carlos Godoy

1956-10-22

Ricardo Tanturi

Reinaldo Yiso

Cachá viaje

TANGO

Horacio Roca

1957-02-15

Jaime Vila

Ernesto Cardenal

Muriéndome de amor

TANGO

Elsa Rivas

1957-02-15

Manuel Sucher

Carlos Bahr

Fondín de Pedro Mendoza

TANGO

Juan Carlos Godoy

1957-04-02

Raúl de los Hoyos

Luis César Amadori y Ivo Pelay

Provinciana linda

VALS

Juan Carlos Godoy y Horacio Roca y Elsa Rivas

1957-04-02

Ricardo Tanturi

Reinaldo Yiso

No la nombres corazón

TANGO

Juan Carlos Godoy

1957-07-10

Vicente Salerno

Juan Bautista Gatti

Pa' que sientas lo que siento

TANGO

Elsa Rivas

1957-07-10

Marcelo Salazar Bonilla

Marcelo Salazar Bonilla

Perdóname señor

TANGO

Horacio Roca

1957-09-17

Francisco Pracánico

Verminio Servetto

Todo por un amor

TANGO

Elsa Rivas

1957-09-17

George Andreani

Julio Porter

Que Dios me castigue (Que me castigue Dios)

TANGO

Elsa Rivas

1957-09-30

Marcelo Salazar Bonilla

Marcelo Salazar Bonilla

Salimos a bailar

TANGO

Juan Carlos Godoy

1957-09-30

Juan Pomati

Leopoldo Díaz Vélez

Dónde estará mi vida

TANGO

Osvaldo Ribo

1958-04-29

Antonio López Quiroga Segovia

Francisco Caldera y Ignacio Román Jiménez

Patadura

TANGO

Horacio Roca

1958-04-29

José López Ares

Enrique Carrera Sotelo

Madre de los cabellos de plata

TANGO

Alberto Guzman

1958-07-23

Alejo Montoro

Juan Solano Pedrero

Se casó el pelao

MILONGA

Alberto Guzmán y Horacio Roca

1958-07-23

?

?

Me robó su cariño

TANGO

Alberto Guzman

1958-09-02

Oscar Rubens

Oscar Rubens

Un tango para la historia

TANGO

Horacio Roca

1958-09-02

Cristóbal Herreros

Cristóbal Herreros

De hermano a hermano

TANGO

Horacio Roca

1959-01-29

Arturo Gallucci

Arturo Gallucci

Otro ángel para el cielo

TANGO

Alberto Guzman

1959-01-29

José Zanoni

Rubén Trousel

Puerto Nuevo

TANGO

Horacio Roca

1959-01-29

Teófilo Lespés

Carlos Pesce

Quereme un poquito

TANGO

Alberto Guzman

1959-01-29

Mario Rafaelli

Pedro Fernández Sagardi

Amigos presente

TANGO

 

1959-05-27

Ricardo Tanturi

 

Historia de mi vida

TANGO

Horacio Roca

1959-05-27

?

?

Aladino

VALS

Alberto Guzmán y Horacio Roca

1959-12-09

?

?

El pollito

TANGO

 

1959-12-09

Francisco Canaro

 

Que no saque el tres

MILONGA

Alberto Guzmán y Horacio Roca

1959-12-09

?

?

Rio rebelde

TANGO

Alberto Guzmán

1959-12-09

?

?

El resero

TANGO

 

1965-00-00

Raimundo Petillo

 

Qué noche

TANGO

 

1965-00-00

Agustín Bardi

 

Un amor

TANGO

Blanca Bassi

1965-00-00